L’Arte di diminuire

L’Arte di diminuire

Early Music

1 Descendi in hortum meum
Leonor de Lera
1:26
2 Vestiva i colli
Francesco Rognoni
1:01
3 Romanesca per violino solo
Biagio Marini
1:13
4 Pulchra es amica mea
Leonor de Lera
1:13
5 Usurpator tiranno
Leonor de Lera
0:59
6 La mia pedrina
Marco Uccellini
0:56
7 Petit Jacquet
Girolamo Dalla Casa
0:56
8 Folia
Giovanni Girolamo Kapsberger
0:53
9 La Bergamasca
Marco Uccellini
0:37
10 Io canterei d'amor
Rodney Prada
0:37
11 O felici occhi miei
Javier Núñez
0:28
12 Vestiva i colli a doi
Bartolomé de Selma y Salaverde
0:46
13 Aria francese
Salomone Rossi
0:36
14 Petite fleur coincte
Girolamo Dalla Casa
0:31
15 Tarantella del Gargano
Leonor de Lera
0:33

About Album

Diminutions, the art of extemporary embellishment or melodic variation, were an essential part of performance practice of the Renaissance and early Baroque periods. The basis of diminutions (also called passaggi), is the fragmentation of a long note or series of long notes into many shorter and faster ones that move around the original melody.

The number of treatises that were devoted to the teaching of this subject is a clear indication of the importance of diminutions at that time. These treatises contained pages and pages of alternate ways to subdivide long notes and ornament all of the most common intervals (ascending and descending seconds, thirds, fourths, fifths, etc.) and cadences in various note values, which performers were expected to practice diligently to be able to apply them to any piece of music, eventually creating their own formulas and even freely improvise them. Ultimately, diminutions were to be applied in performance as a form of virtuosic improvisation and to make a piece of music more ‘beautiful’.

This CD explores the widespread practice of diminutions by presenting published examples of diminutions on well-known motets, by master composers; diminutions on popular melodies or dance forms of the time and finally, diminutions composed by the performer as artist.

Artists
Release Date
6 March 2020
People
Leonor de Lera, Rodney Prada, Josep María Martí, Javier Núñez, Ignacio Ramal

Available Lyrics

Descendi in hortum meum
Vestiva i colli
Romanesca per violino solo
Pulchra es amica mea
Usurpator tiranno
La mia pedrina
Petit Jacquet
Folia
La Bergamasca
Io canterei d'amor
O felici occhi miei
Vestiva i colli a doi
Aria francese
Petite fleur coincte
Tarantella del Gargano

Album Review

Nominated for Best Baroque Instrumental Album

International Classical Music Awards

Winner of "La Clef ResMusica" award

ResMusica

“It is the work of a goldsmith, both in the preparation and the interpretation, what they have accomplished, which confirms – and this is the best part – the excellent impression they made with their debut CD (Altri canti d’amor) two years ago with the same record label.”

Scherzo

"The most impressive part of the listening experience might be the freewheeling-sounding – yet always tasteful – instrumental virtuosity on display here. "

The WholeNote

“L'Arte di diminuire" (Challenge Classics, 2020), just like "Altri Canti D'Amor - 17th Century Instrumental Works" (Challenge Classics, 2017) can delight every second”

Multikulti Project

" This disc rich in colours, is a perfect illustration of baroque instrumental rhetoric.”

ResMusica

★★★★ "These are unfailingly played beautifully, with a lovely sense of creativity and liveliness.”

Limelight magazine

“Soulful melodising, virtuosity, decorousness and dynamism are all allied to a single expressive goal.”

Musicweb International

★★★★★ “We’ll just say that this CD is full of virtuosity and excellence, with a speech of early Baroque style that, to our ears, would pass for native or of having lived a good while during that time.”

Melómano

"This disc deserves the attention of all lovers of early music, not only because of the fine performances of the written-out pieces [...]"

Musica Dei Donum

"High quality of performance, precision and graceful virtuosity fully reveal the declared theme of the album."

Music Life Magazine

9/10 “This is, for all its immersion in “diminution”, the relevant term for this practice of variation and embellishment, is one of the more attractive, engaging, and eminently repeatable recitals you will hear of 16th and 17th century music for strings”

Classics Today

Editor's Choice

Highresaudio

★★★★ “You won't be bored for a moment in the sound world of L'Estro d'Orfeo”

Klassiek Centraal

★★★★

De Standaard

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